Table of Content
The second half of the twentieth century saw a great number of powerful vocal pairings as short-lived, but undeniably magical collaborations. With firsthand interviews from many of the artists, readers will enjoy the back story about which duos got along well and which did not, which stayed together or kept in touch, and vice versa. Arranged alphabetically from Bryan Adams to Dottie West, Dynamic Duets gives the back stories on all of the pairings that cracked Billboard’s Top 40 between 1955 and the end of the century. The book includes photographs of many of the records and/or the performers, chart and label information, year of release, facts about the songs, and quotes from many of the performers, songwriters, and producers themselves. Baby boomers, vinyl collectors, music historians, and classic hits radio DJs will find Dynamic Duets a must for their music library. Matt confesses that he doesn't work at Goldman Sachs.
In the 1984 yearbook, there are several anachronisms. There's a clip of A-ha's video for "Take On Me", which wasn't released until 1985. There's a photo of ALF, a video clip of the California raisins, and a photo of four girls with the inscription "walk like an Egyptian". Alf, the California Raisins and the song "Walk Like an Egyptian" are all from 1986.
Box office
He apologizes for being such a failure, to which his dad replies that, as he's never tried, he has never reached failure. The screenplay was written by Jackie and Jeff Filgo, former writers of the television sitcom That '70s Show, of which Grace was a cast member. The film follows a recent college graduate who wants to change his career plans after his old high school crush invites him to a party. When Matt, Wendy, and Matt's best friend, Barry Nathan, head to the party, Barry steals a Mercedes-Benz from the car dealership he got fired from earlier that day, saying Matt needs it to impress Tori.
Barry has a wild sexual encounter with an older woman while Matt and Tori grow closer, after Matt's successful "put down" of Tori's boss, a habitual sexual harasser. They go into a neighbor's backyard where they jump on a trampoline, play truth or dare, and end up having sex. The song was sampled and interpolated by New Zealand rapper PNC in "Take Me Home" featuring Mz J from the album Bazooka Kid.
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It opens with Money alone with a metal ladder and a folding chair on an otherwise empty stage. He sings and plays an alto saxophone to an absent audience, while Ronnie Spector is seen in a make-up room and then walking through a backstage hallway to the arena floor during cutaways. Spector's face is not completely revealed until about three-quarters of the way through the video. The song reached number four on the Billboard Hot 100 on November 15, 1986, and number one on the Album Rock Tracks chart; outside the U.S., it was a top 15 hit in Canada.
Wendy, realizing Matt was right, breaks up with Kyle, who experiences a crying breakdown. Pondering his future while talking to Ashley, a Goth girl he met at the party, who tells Barry that maybe he should go to college. Outside, Matt boldly kisses Tori goodbye for the night cause he still has her phone number to call. Matt's dad, investigating the giant ball in the pool, smirks proudly when he finds his son's name tag. Matt, Barry and Wendy stagger out of the party house, leaving together as the sun is rising. Knowing Tori has left her car at the party, Matt and Barry go back, where bets are being placed on who will "ride the ball", a giant, steel sphere that someone rides inside as it's rolled down a hill.
In popular culture
Near the end of the yearbook credits, the phrase "don't worry, be happy" appears with a yellow happy face. "Don't Worry, Be Happy", the Bobby McFerrin song that popularized the phrase, wasn't released until 1988. Matt Franklin is a recent MIT graduate, working at a Los Angeles Suncoast Video store in 1988 while trying to figure out what he wants to do with his life, something that his police officer father has grown impatient with. When Matt's high school crush, Tori Frederking, walks into the store, he lies that he works at Goldman Sachs. Tori invites Matt to a Labor Day party, hosted by his twin sister Wendy's boyfriend, Kyle. The video was directed by Nick Morris and shot entirely in black and white at the Lawlor Events Center in Reno, Nevada.
The song has been certified as the 14th most played song of all time on American radio, with over 8 million plays. Alongside its album, "Take Me Home Tonight" helped revive Money's career after a period of declining sales. It also allowed Spector to resume her touring/recording career after several years of retirement. Over the course of a wild night, both Kat and Stevie will get a wake-up call about their friendship, their choices…and finally discover what they really want for their future.
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Matt finds Tori and tries to apologize, but she is unwilling to forgive him. Feeling he has nothing to lose, Matt volunteers to "ride the ball", hitting several parked cars then flying off an embankment, landing in a backyard swimming pool. The title comes from the 1986 Eddie Money song of the same name, also played in the theatrical trailer and on the menu screen of the Blu-Ray and DVD releases. Despite having the same name, it never actually appears in the film.
Barry snorts some cocaine he found in the glove box of the stolen car and gets involved in a dance-off, and Kyle proposes to Wendy in front of everyone. Matt is disappointed she accepted, as he doesn't think Kyle will support her attending graduate school. Music video"Take Me Home Tonight" on YouTube"Take Me Home Tonight" is a song by American rock singer Eddie Money.
Four years after graduation, an awkward high school genius uses his sister's boyfriend's Labor Day party as the perfect opportunity to make his move on his high school crush. A floundering MIT graduate sends out the '80s with a bang after being invited to an end-of-summer bash by his former high school crush. Tori takes Matt and Barry to her boss's party in Beverly Hills.
It was released in August 1986 as the lead single from his album Can't Hold Back. The song's chorus interpolates the Ronettes' 1963 hit "Be My Baby", with original vocalist Ronnie Spector providing uncredited vocals and reprising her role. Songwriting credit was given to Mike Leeson, Peter Vale, Ellie Greenwich, Phil Spector and Jeff Barry.
They’re barely off the train before they’re dealing with destroyed phones, family drama, and unexpected Pomeranians. Over the next few hours, they’ll have to grapple with old flames, terrible theater, and unhelpful cab drivers. But there are also cute boys to kiss, parties to crash, dry cleaning to deliver (don’t ask), and the world’s best museum to explore. The film debuted at #11, with $3,464,679 during its opening weekend in 2,003 theaters in North America.
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The film grossed $6,928,068 in North America, failing to recoup its $19 million budget. Barry rushes to the scene and walks with Matt back to the party, meeting up with Wendy and Tori, who are elated to find him alive. Matt apologizes to Tori, and she forgives him, then gives him her phone number. All who are still there 'whoop' it up at Matt's successful return.
It received a Grammy nomination for Best Male Rock Vocal Performance, and was Money's biggest hit on the U.S. charts. Juliana was involved in a serious car accident in 2009 and suffered a traumatic brain injury. Her story has been widely followed across the nation since Medina's appearance on American Idol. Principal photography was completed in 2007, but Universal Studios shelved the film until its 2011 theatrical release. Topher Grace posted that the release of the film was delayed when the studio did not know how to handle and promote a youth comedy film with portrayals of cocaine use, as the drug was prominent in the 1980s.
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